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How to Play |
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| A Tuition Manual with transcriptions
of Formby's recordings |
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| By Dave
Partington THIS ITEM IS OUT OF STOCK! PLEASE DON'T ORDER YET! |
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| Postage £2.00 - We ship worldwide! | ||
| An in-depth study of George Formby's uke playing style | |||
| Including practise exercises and
transcriptions from Formby's recordings A review by Andy Eastwood, as published in the George Formby Society magazine At last! A detailed study of Georges uke solos - a long overdue addition to the canon of Formby literature. Dave Partingtons new book features 16 faithfully transcribed solos, and a pretty thorough break down of the techniques employed. For decades, successive generations of Formby fans have kept Georges style alive by immersing themselves in his recorded legacy, transferring their observations to the instrument, and sharing their skills with fellow players at the GFS meetings. Why has the style never been codified fully? Probably because a Formby solo is, fundamentally, improvised. To notate the mélange of rhythmic patterns for precise replication eliminates its essential spontaneity. Anyone sufficiently accomplished to transcribe Georges playing is already able to improvise in the same vein. This book bridges the gap between understanding the rudiments of Formby style, and knowing exactly what is being played throughout every beat of the solo. Clearly and thoughtfully written, its a complex book, for the serious player who wants to progress. Dave describes split stroke rhythms, triples, finger lifts (and to some degree, the fan) and introduces his own terminology and notation system. Practise routines are included, enabling you to develop your technical repertoire as you read, until you reach the part of the book that really earns Dave a hats off the solo transcriptions! Few people have ever written down Georges solos from the records. I transcribed some in my university days, and believe me, its hard work! Daves transcriptions are very thorough and accurate. A few minor left hand details are omitted, but the split stroke rhythms are excellently observed and presented, and I found them fascinating to read. This is an impressive piece of work, and very refreshing amidst the recent proliferation of half-baked ukulele tuition books, videos and websites that have abounded in the wake of the so-called uke boom. Daves book is ambitious, detailed, and intelligently written. Had I been consulted prior
to publication, I would have suggested bringing the
notation more into line with standard musical practice.
For instance, Dave doubles the bar lengths to 4/2 rather
than maintaining the original 2/2 time in which the songs
were written. He describes unwritable keys such as A-sharp
and G-sharp, instead of the correct B-flat and A-flat.
However, such idiosyncrasies do not detract from the
validity of the information: if you dont read music,
you wont notice them and if you do, youll
interpret them. On the whole, the text is very logical
and clear, whether or not you have musical know-how. It
may not go down in history as the definitive
explanation of Formby style, but it is ground-breaking,
the best analysis published to date, and it will help
many people to improve their playing. Should you buy it?
Yes, definitely! |
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Postage £2.00 - We ship worldwide! |
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